Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts
Thursday, October 25, 2012
Pospulenn - Sun People Sleepwalker
Pospulenn was an alias of Kane Pour (of Tricorn & Queue and Hundreds) that was mainly guitar-based in its sound. Sun People Sleepwalker is a compilation of Kane Pour's recordings under the Pospulenn name, which total up to over an hour in length. This release, I would say, is the best work I have ever heard from Kane Pour as of yet. In all 13 tracks, melodies are layered over one another as the songs build, and each one hits every single note in its key. In the midst of the guitars, field recordings faintly add density. This combination creates a dream-like feeling that seems completely new to me. During their slow builds, the songs begin to sound so lush that they form a drone that is absolute ecstasy. For its entire 69 minutes, Sun People Sleepwalker never loses its momentum. (description taken from olive music)
basically - guitar ripples of the best kind. as a friend of mine puts it - 'soft, arpeggiated totality'.
flown and flewn.
Monday, July 23, 2012
Various Artists - Funf
Probably the best minimal techno/ambient techno compilation from the greatest club in the world and the home of the scene - Ostgut Ton // Berghain. 2 and a half hours of cold steel. Pattern recognition, industrial growth and decay and the very beating heart of the dancefloor. Eat your heart out.
daybreak
Tuesday, January 3, 2012
Emeralds - Does it look like I'm here?
Emeralds are an ambient/drone trio from Cleveland, Ohio. They've released over 30 records since their formation in 2006. This is probably their most popular record, and for good reason.
Digital minimalism is the urban primitivism. This is heaven on the synthesizer; Emeralds producing sounds attuned to the very soul of the internet, the poetry of the interstate highway, bringing together the musings of the city's worried and heartaching outsiders.
does it look like i'm here??
Thursday, December 8, 2011
Pomegranates: Persian Pop, Funk, Folk and Psych of the 60s and 70s
Before the west and the CIA completely fucked Iran over and paved way for atrocious Islamic fundamentalism, it was a cultural mecca of the Middle East, ancient Persian culture imbued with an influx of educated, intellectual Iranis made it probably the most attractive place, at the time, in the Middle East. This gave rise to one of the coolest and most unique music scenes of the 20th century, hypnotic eastern raga based pop grooves blended with upcoming western styles of funk, pop and even a bit of disco! Calling this exciting would be an understatement.
helelyos
Friday, November 11, 2011
Agoria - Balance 016
Influenced by jazz and Detroit techno, Sébastien Devaud aka Agoria is one in a long line of artists to emerge from the French electronic scene. This is his mix, for the brilliant Balance series.
Honey oozing out of my speakers in 4/4. Worth its weight in megabytes and then some. This is one of the very best mixes I have ever heard
just as the sun went down
Friday, October 14, 2011
V/A - Night Slugs All Stars vol. 1
So what happens to us in a post-dubstep world that is reaching more and more towards self nurtured monotony and near dystopic states of indifference?
This isn't 1976. Turn up the volume, turn up the bass and fucking DANCE.
wut
Monday, September 26, 2011
V/A - Cocoon Compilation J
Monday, June 20, 2011
V/A - Ayobaness! - The Sound of South African House
Let's see if I can find a working definition for Kwaito:
"Kwaito is a music genre that emerged in Johannesburg, South Africa, during the 1990s. It is a variant of house music featuring the use of African sounds and samples. Typically at a slower tempo range than other styles of house music, Kwaito often contains catchy melodic and percussive loop samples, deep bass lines, and vocals. Although bearing similarities to hip hop music, a distinctive feature of Kwaito is the manner in which the lyrics are sung, rapped and shouted. American producer Diplo has described Kwaito as “slowed-down garage music,”
Long story short, this is fucking amazing. Ever wonder how house music would integrate itself into local musical cultures around the world? Well not only does this compilation do that, it's immensely fun too.
nisho njalo
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