Sean Mccann - The Capital

Sean Mccann is a great and relatively new ambient/drone musician on the scene. His 2011 record 'The Capital' is pure bliss, and escapist in a way the album cover would suggest. I recommend this wholeheartedly.

the capital

Bowery Electric - Beat

Bowery Electric were an NYC outfit, active from 1993 to 2000. They played a futuristic, spacey blend of trip hop, gazer and ambient, best highlighted on their magnificent 1996 effort - Beat

Somewhat bizarrely, Beat received a large amount of critical buzz over its supposedly groundbreaking fusion of hip-hop/techno rhythms and the band's older dream pop stylings. Anyone who had heard Loveless-era My Bloody Valentine or a fair amount of Chapterhouse's material probably had some things to say about that judgment, while in turn many dance mavens saw the band's efforts as already terribly outdated in terms of general sonic approach. Set all this aside and concentrate on enjoying Beat in and of itself, though, and the fine qualities of both group and album come through quite clearly. Bowery Electric may not be on the cutting edge, but Schwendener and Chandler aren't pretending to dwell there. The title track sets the album's tone from the start, an open-ended guitar drone from Chandler later accompanied by Schwendener's low-key bass and distanced singing matched with a crisp drum loop. Variations on this basic formula throughout Beat: slight rhythms are sometimes more prominent, sometimes buried, guitar lines are clearer here or more heavily produced there -- but taken as a whole the release is quietly intoxicating. Standouts include "Fear of Flying," with a strong guitar scream/wash from Chandler and a more upfront bass/drum combination, and the thoroughly but beautifully zoned out "Black Light," which features a rare Chandler vocal and an enveloping delay-pedal-produced atmosphere. Notably, the drumming on the latter track is more in line with, say, early Pink Floyd or Slowdive rather than the loops used elsewhere. Both performers are incredibly undemonstrative throughout the album -- Beat works best as something either totally concentrated on or left running as ambient music; a party record this isn't. At times Bowery Electric eschew percussion entirely, to lovely effect: "Under the Sun" is a brief but dark piece, a low bassline providing the only forward motion. 


black light

Tim Hecker - Harmony in Ultraviolet

Tim Hecker is an electronic musician and sound artist based in Montreal, Canada. He is by far one of the best ambient musicians working today, his use of texture in music is second to none, in my opinion. Here's my favourite of his works, Harmony in Ultraviolet. Sometimes I have trouble believing a living, breathing human made this, it's like a portal to another world.

Whatever became of the moment when one first knew about death? There must have been one. A moment. In childhood. When it first occured to you that you don't go on forever. Must have been shattering. Stamped into one's memory. And yet, I can't remember it. It never occured to me at all. We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squawling, with the knowledge that for all the points of the compass, theres only one direction. And time is its only measure.




 blood rainbow